As marketers, we constantly hear about the importance of adaptation. How it’s “crucial to keep up with the times” or, “if your brand isn’t evolving to meet the needs of your consumer, they’ll find one that is.”

With this constant focus on growth and enhancement, we have to ask: are the good old days of simply relying on brand recognition truly gone? Or is it still possible to achieve marketing success without conforming to the latest trends?

We didn’t have to look further than Augusta, GA, to find our answer.  

A self-proclaimed “tradition unlike any other,” The Masters is considered the best and most prestigious golf tournament in the world. For marketers, it is admired as one of the world’s greatest brands. Since 1934, this annual event has continued to gain popularity and prestige, all while changing very little about its marketing and branding strategies. Even amidst all these lessons on evolution, the brand has found marketing success in staying true to its roots and the idea that “less is more.”

The 2019 Masters had only six sponsors, many of which have been associated with the tournament for several years. Each pay an estimated $6 million annually for their title. But even then, sponsor brands have a very minimal presence: no signage on the course or in the concessions area, a shared four minutes of ads per broadcast hour and other strict rules about how their association with this tournament can be promoted.

It may not sound glamorous, but pure association and less competition can certainly pay off. In 2018, Nielsen estimated a total of $128 million in media value for tournament sponsors. Considering these brands don’t get so much as a logo on a caddie bib, their return is pretty impressive.

Several other original aspects of the tournament make sure this experience is not just one-of-a-kind, but also traditional — and yes, extremely exclusive. Official Masters gear can only be purchased at Augusta National’s gift shop. Tickets are either inherited from a family member or won via a lottery. Caddies wear the classic uniform of a white jumpsuit and a green hat.

These are some of the most recognizable elements of the tournament, and without these seemingly small details, the experience at the heart of the brand would be lost.

Unlike other popular sporting events, The Masters isn’t making millions of dollars in revenue through multiple sponsorships or by licensing merchandise outside of the club’s gift shop. It doesn’t sell TV rights to the highest bidder or price :30 commercial spots at upwards of $5 million. Heck, they don’t even charge more than a few dollars for a beer.

The purity of The Master’s identity is one of its most attractive features. It isn’t bogged down by “noise” surrounding the event; the focus is solely on the game, the players and the experience of Augusta National.

Marketing trends will come and go and there will always be a new method, measurement or message to test. But at the end of the day, our true priority as marketers should be staying true to our brand and our goals — even if that means less is more.

Founded in 1889, in Dearborn, MI, Carhartt occupies a place in American culture few brands can lay claim to. On the one hand, they are a ubiquitous symbol of the working class, the favorite garment of farmhands, laborers and outdoor lovers.

But they also play a major role in the history of communities like hip-hop, extreme sports and “streetwear.”

So how does one brand manage to appeal to two groups of consumers who likely don’t overlap anywhere else?

Our latest Brand Study explores this tale of two brands.

Rough & Rugged

Carhartt is best known for its no-nonsense approach to workwear. Its iconic duck canvas jacket has been worn for generations, largely in their signature “Carhartt Brown” color.

Whether it is lumberjacks felling trees in the pacific northwest or auto workers in the assembly lines of Detroit, Carhartt’s customers have remained fiercely loyal.

This despite the company’s refusal to ever sell their garments at a premium or in discount stores like Wal-Mart or Kmart.

Carhartt has been used as a political symbol, too. It’s been deployed by politicians across the spectrum to evoke a connection to the so-called “everyman.”

Barack Obama was photographed wearing it during a 2015 trip to Alaska, while the state’s most famous politician, Sarah Palin, has a well-documented love of the brand.

Much like what kind of beer a politician prefers (Domestic? Imported? Craft?) has become a talking point during each election cycle, so, too has wearing Carhartt been seen by some as an attempt to connect with blue-collar workers.

Urban Trendsetters

While Carhartt has spent the last 130 years in the company of the working class, it has also been the favorite of “streetwear” enthusiasts since the mid-1980s.

The brand’s superstar status in this community began somewhat nefariously, having been described by the New York Times in 1990 as the favorite choice of drug dealers who loved Carhartt’s deep pockets.

Fashionable youth took notice, and the famous chore coats soon began popping up in the burgeoning hip-hop communities of New York and Los Angeles.

Carhartt received another boost of street cred from the seminal hip-hop label, Tommy Boy, who gave away dozens of custom-made Carhartt jackets to tastemakers and industry influencers.

The New York Times’ 1990 feature on the Carhartt Chore Coat.

It was during this period that Carhartt caught the eye of two European denim designers, Edwin and Salomée Faeh.

While their original agreement was to import and sell original pieces across Europe, they soon gained enough trust from Carhartt’s founding family to branch out into designing their own fashion-forward interpretations of the brand.

This project, called Work In Progress (WIP), has evolved into what some have deemed “the most important brand in streetwear.”

While much of WIP’s reflects Carhartt’s no frills aesthetic, it also has the elasticity to veer off into much more experimental territory.

A typical WIP launch might include subtle updates to the famous blue Michigan Chore Coat alongside a varsity jacket in technicolor purple or highlighter green. The WIP lines are also typically geared towards a more tailored, skinny cut, whereas the original Carhartt line retains its “working man’s fit.”

Many will also note the significant increase in price across the two brands, but Carhartt and Work In Progress are not selling to the same audiences — they are two distinct yet intertwined brands.

A (Fashion) House Divided Can Stand

So how exactly did Carhartt manage to find itself in the enviable position of appealing to such a wide audience? According to Esquire magazine, “Carhartt couldn’t tell you how it’s marketed to such a diverse group because it hasn’t. The company has followed working class America for 128 years and this is just where it wound up.”

In fact, Carhartt has never employed an outside agency (sad face) for any of their marketing or advertising needs. This is a rarity for a brand of its size, especially considering their proximity to The Big 3 auto companies of Detroit, who for decades were the proverbial “white whale” of the advertising industry.

Work In Progress uses familiar tones in new applications.

It would appear that Carhartt largely cemented its place in the world by simply being themselves. It would’ve surely felt forced had the brand tried to create something like Work In Progress in order to proactively chase the urban youth demographic.

Instead, they recognized that they had been adopted by this group of trendsetting skateboarders, graffiti artists and rappers and allowed their brand to evolve to speak directly to that audience without sacrificing their integrity.

As WGSN’s Senior Menswear Trend Forecaster Brian Trunzo puts it, “Carhartt represents everybody. It represents the right and the left. It represents the fashion folks and the non-fashion folks. It’s a brand folks can rally around. Everything they do is real.”

The word “authenticity” gets thrown around a lot these days, but brands like Carhartt are a great example of what that actually looks like. They stay true to their core mission but allow themselves the flexibility to explore opportunities when they arise. So whether it’s on a ranch in Montana or a skatepark in Los Angeles, you know that gold “C” stands for quality, durability and dependability. And that is some seriously enviable brand equity.